Birmingham’s
very own Alunah are very much the go-to band when a well-known stoner group
comes to town. It’s easy to see why. Their down tuned Sabbath type grooves have
been honed over the years, and songs such the title track of their most recent
album “White Hoarhound” arguably deserve a bigger stage. Since we last saw the band in January – when perhaps
predictably they opened for The Sword in January – they have undergone a line up
change. Tonight is their first show with their new bass player and not even
some initial poor sound can spoil their half an hour.
Oxford’s
Desert Storm are a new one us at RTM, but not for long, if the tunes they play
are anything to go by. Straddling the same type of riffs as our favourites
Orange Goblin, they are tremendously entertaining. During their set they become
the first band we have ever seen who asks for the strobe lights to be turned
off as they were epileptic and one of the only non-death metal band to attempt
a track called “Enslaved In The Icy Tundra.” The band are back in September,
supporting Peter Pan Speedrock at the same venue, and you really need to check
them out.
Karma To
Burn the stage with “Just The Two Of Us”
blasting. This appears their little joke on the fact that, well, there is just
the two of them. Don’t bother looking for explanation on their website as to
why bassman Rich Mullins isn’t here, as it hasn’t been updated for over a year.
As you can
tell K2B are a group that is content to let the music do the talking. Handy
then, that they are instrumental band. And not just any old instrumental band.
If you never heard them, then imagine Monster Magnet with no lyrics, just huge
riff after huge riff.
Another
thing Karma To Burn don’t bother with are song titles in any conventional
sense. Rather they just deal with numbers. So it is that they kick off in
tonight’s blistering heat at the Asylum 2, with “Eight,” then move into “Nineteen”
and then towards the end nominal front man William Mecum – the master behind
all these monstrous creations says ‘here’s a newer one for ya, it’s called “53.”
Of course,
by definition this type of music is always going to have a limited cult appeal.
RTM has seen them once before, when they opened for the aforementioned Monster
Magnet, we liked them a lot, but the person we with couldn’t stand them, which
really couldn’t be beaten as a metaphor. Those that (to use a really smug
phrase) “get it” find much to enjoy, as whether a two piece or a trio there is
nothing quite like Karma To Burn. They are never going to win over the doubters
– and you suspect that they couldn’t care less.
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