It is
tempting to dismiss Big Boy Bloater and The Limits as a bit of a joke band. Any
group that, with a reasonably straight face, announces “this song is called ‘She
Gets Naked For A Living’” cannot be doing so with tongue totally out of cheeks.
They follow
this up with other songs, like “Insanely Happy” (which apparently is about “chopping
up your girlfriend”) and “Shut Your Fat Trap” but actually they are better than
they sound.
Big Boy
Bloater – who rather like Popa Chubby is aptly named – is a convivial host and
a talented guitarist, and the songs, despite their rather throwaway titles are decent
rockabilly numbers and the band are entertaining.
JJ Grey And
Mofro’s profile is rising in this country. This is the first night of their UK
tour, but comes after a slot at Glastonbury, where according to Grey himself
they went on after Bruce Forsyth. Neither Grey, nor indeed Mofro, had come across
Brucie before and they were impressed, “Man, what an entertainer,” he says. “And
he’s married to Miss World, wow……”
Such chat
is actually in-keeping with the relaxed atmosphere of the show. JJ and Mofro
are in England on the back of their quite brilliant new record “This River” a
loose-limbed piece of soulful blues that builds on the nearly as good album “Georgia
Warhorse” that preceded it.
The title
track of “….Warhorse” is played tonight, and it turns out it concerns Grey’s
Grandmother, who is evidently close to. She died earlier this year and Grey
talks about her frequently, adding a personal, singer/songwriter touch to what
elsewhere was almost a Southside Johnny-esque soul review.
It had
begun an hour or so before with the track “Six Ways From Sunday” which allows
the band to announce themselves in a fine way. Mofro are an extremely talented
band, but perhaps their best moment comes with the fantastic saxophone and
trumpet duel between Art Edmaiston and Dennis Marion during the opening track
from “….River” “Your Lady, She’s Shady.”
That track
is one of many that are played from the new record – the band are clearly proud
of it – a tremendous album, it is one of RTM’s favourites from this year,
taking in many styles along its journey – “The Ballad Of Larry Webb” which Grey
claims is a true story about a man that lived down his street, is a real heart-warming
tale of the common man that wouldn’t be out of place on a Bruce Springsteen
album. Perhaps the best moment, though, comes in “99 Ways From Crazy” (which
has appeared on the latest Classic Rock cover mounted record, which is catchy
and funky and great fun.
In fact,
only once does the gig dip. A rather unnecessary and lengthy jam during “Ho
Cakes” rather spoils the flow, but overall this doesn’t matter too much.
There has been
a clamour to market JJ Grey as the new cult bluesman, but in reality, although
there is bluesy elements to what they do, there is a lot more to it than that,
what we saw here tonight proves that music doesn’t need categorizing, it just needs
enjoying and JJ Grey and Mofro make that very, very easy.
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