4Bitten might be from
Greece, but you just know that their hearts are in America circa 1987. They are
seemingly going all out for the MTV sound that so defined that era. “Games You
Play” apes Whitesnake, while “Far From Grace” is a more than decent stab at a
Bon Jovi tune.
Frontwoman Fofi Roussos has a decent voice for this type of thing,
though, and they are enjoyable despite offering nothing that could remotely be
described as “new.” “Let It all Burn” continues the clichéd song titles, while
the last song of their half hour set rather neatly sums them up. Roussos sings
about the need to “write a different song,” but does so over a riff that, shall
we say, borrows extensively, from Queen’s “Tie Your Mother Down.”
Not that it matters a jot
what the support band are up to. Tonight, you see, is all about UFO. Of all the
reformed British hard rock bands of that era, Moggy and the boys can perhaps
consider themselves the most unlucky. Yes, of course, the glory days are behind
them in terms of record sales and yes, they might be best known to a generation
of metal fans as the band who’s song is played before Iron Maiden come onstage,
but that neglects the fact that out of all of them, UFO are arguably putting
out the best records. Certainly last years phenomenal “Seven Deadly” has
bothered RTM’s Ipod extensively in the last 13 or so months.
Even tonight’s choice of
venue says much for them. Whether by choice or accident, it is in the smaller
Library downstairs, but is so packed that surely it could comfortably have took
place in the main Institute.
The setlist is largely the
same as the one the trailed around the UK about this time last year, although
this one does begin with “Lights Out” and if you are going to start with one of
your songs, then you had better be confident, this, however, is UFO we are
talking about, and by the time “Mother Mary” and “….Deadly.” highlights “Fight
Night” and “Wonderland” have been played it is immediately clear we are in the
presence of something pretty special.
The band is in fine form,
guitar man Vinnie Moore is worthy successor to Michael Schenker, but is singer
Phil Mogg that carries the band along. At turns he is both a favourite uncle
and looks he would punch you in the face, but still finds time to ask about the
Rotunda, tell us he is only touring to get out of the house, argue with the
lighting man about the set up and tell us that he has Top Gear recording on his
Sky Box.
Back to the songs, “Love To
Love” becomes the epic centerpiece and, whilst we can argue about the merits of
finishing with a guitar solo, the encore of “Doctor Doctor” (naturally) and “Shoot
Shoot” cannot be trifled with.
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