Here at RTM
we like Primitai a lot. In fact, our glowing praise of the band from last years
I Am I show is still on their website. This is the fourth time we have seen the
group since a couple of years ago when
they opened – in this very room – for White Wizard.
Happily on
each occasion they have improved and tonight is no exception. “Sin City” and “Nocturnal
Hordes” from last album “In The Line Of Fire” still sound thrilling, but that
album has been around since 2010 and the group need some new stuff if they are
to move forward.
Good news
then that they air a couple of new songs, “Pound For Pound” packs an immediate
punch, while “Scream When You See Us” has a driving riff and is slightly more
sprawling. Both, however, hint that album number three, when it hits, might be
a bit good. And any band that performs a Manowar-esque human pyramid onstage is
alright with us.
As are
Grand Magus. The three piece are a band who is superb on record, but really excels
in the live arena. If their set in support of Amon Amarth last year was good,
then their mid-afternoon slot at Bloodstock last year was a phenomenal affair,
so hopes are high for this headliner.
And – boy,
they don’t disappoint. For 75 minutes tonight, we watched metal at its most
thrilling. Last year’s fine “The Hunt” album – which more or less is a
continuation of the previous “Hammer of the North” record – is well
represented, with four songs played. These include the majestic pair of “Sword
of the Ocean” and “Starlight Slaughter,” while if there is a more majestic
slice of power metal than “The Oar Strikes The Water” from 2008s “Iron Will”
could someone please send it to us?
Here is a
band for whom headlining the Black Country, evidently holds a special place.
Singer, JB tells us he “can feel it in the walls” and it says much for how blasé
we are about our heritage that someone shouts back “that will be the damp, pal….”
No matter,
though, as Magus do understand their history. Their songs, rather like the aforementioned
Amarth, rely heavily on, and draw heavily from, the Norse mythology, with “Valhalla
Rising” sounding suitably epic.
Unlike
other bands who sing about this type of thing, though, Magus eschew the death
metal sound in favour of something that sounds not unlike Sabaton playing a
Judas Priest track. With Fox’s expert bass and Ludwig’s pounding drums
complimenting JB’s guitar, Magus are superb. “Hammer of the North” which is
played as an encore, turns into a sing-a-long to end a very special set.
Throughout
history there have been some exceptional three piece bands, from Rush to
Motorhead, to Hendrix the triumvirate just seems to work. To that list, lets
add Grand Magus. Their website says they are “Scandinavian Riff Lords” and that
description will do for us too.
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