It is
perhaps odd to think that without cover versions RTM might not be here tonight
It was on a
Great White album that we first heard “Once Bitten Twice Shy” – of course we
had no idea who Mott The Hoople were back then. A little later Bruce
Dickinson covered “All The Young Dudes” on his first solo album and Thunder
took to doing “All The Way From Memphis”……
At that
point it is perhaps natural that the music obsessive has to check these things
out. If you don’t understand, then tonight’s support Colin Brown might. He
looks like the sort of person who would just have to check out the bands that
his favourite artists covered. Brown is the singer in Driven Like The Snow (no,
to be honest, us neither…) but tonight he is armed with just a guitar. One of
his songs is “Classic 45” and dedicated to anyone who buys vinyl still, while
he knocks out a fairly passable version if “Born To Run” which he dedicates to “anyone
who is going to see Springsteen at the Ricoh next Thursday.” As a vinyl buyer
who is attending that gig, it appears that RTM and Brown would have much to
discuss. It is a pleasant rather than amazing way to spend half an hour.
All the
investigations after the aforementioned covers led us to the fact that Mott The
Hoople were rather marvelous, which in turn led us to the fact that Ian Hunter
makes remarkably good solo records. One of these, last years “When I’m
President” is quite superb and RTM went to watch Hunter in his acoustic guise
play the Wolves Wulfrun Hall back in March.
That was a
very fine evening, but this promises to be even better. This is a warm-up for
Hunter’s appearance at the Isle Of Wight Festival, and sees him reunited with
his rock group, The Rant Band.
The set is
broadly similar to the one a few months back – albeit not quite as long – but this
sees him playing stuff more akin to his Hoople days, with a real 70s feel to
the lead guitar work. Beginning with “Give You What For” from the “….President”
record, he is soon into “…Twice Shy” which frolics along.
Some of Hunter’s
solo material is reminiscent of Bob Dylan, and this perhaps best exemplified by
“Fatally Flawed” and “Shrunken Heads” both of which reveal a cracked, fragile quality
to his voice.
Hunter now
lives in the US, and this has informed some of recent material, notably his new
albums title track, which sees him wanting to “lean on the 1%” and “stick it to
the fat cats” and “Now Is the Time” during which he excoriates the NRA, but his
is still a quintessentially British sound – you could only be British to write “…Memphis.”
After
ending the main set with the Velvet Underground’s “Sweet Jane,” they are back
for a lengthy encore which includes Hoople classics (“Do You Remember) The
Saturday Gigs,”and “All The Young Dudes” (with his daughter on vocals), as well
his own “Life,” which includes the line “I can’t believe that you are still
here, I can’t believe I am still here.”
This is
a line laden with all sorts of meanings as Hunter is 74 years old, and has been doing this for over well 40
years. To do it quite so well makes him absolutely remarkable.
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