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With the onset of February we are getting a little busier. 2nd, Protest The Hero, 6th Del Amitri, 9th Molly Hatchet, 14th Monster Magnet, 15th Dream Theater, 19th, Sons Of Icarus, 20th Skyclad, 25th Soulfly, 26th Cadillac Three

And maybe a couple more to be added.

Friday, 31 May 2013

BLACK STAR RIDERS @Marshall Amps Theatre, Bletchley 30/5/13

The look on Scott Gorham’s face is a picture. He looks terrified. The reason for his mock horror is that Black Star Riders frontman Ricky Warwick has, in the middle of “Rosalie,” just announced: “All we want to do is keep the spirit of Thin Lizzy alive and play 200-300 shows a year.” This is the first of many, then.

Perhaps a little background is required. The roots of this band came from the last incarnation of Thin Lizzy. Realising how much chemistry they had, they decided to write some new songs. Originally these were coming out under the Lizzy name, but after Brian Downey and Darren Wharton left, it was decided instead to put them out under the Black Star Riders moniker. The result was the quite brilliant “All Hell Breaks Loose” album, which has just been unleashed.

The reason we are at the home of Marshall Amps is to witness the first gig of the band. An industrial estate in Milton Keynes seems an odd place for such a thing to happen, but Marshall have a small theatre here, so RTM is crammed in with 250 others for what might be quite a night.

At just before 8.30 after an intro from Planet Rock’s Paul Anthony, (who tells us to stick around for the raffle, the ticket for which is in our goodie bags….) The Black Star Riders stride out onstage, wave, and launch into the title track of the new record and what happens for the next 80 odd minutes is quite incredible.

“Jailbreak” follows – one of seven Thin Lizzy that are played (along with nine Riders numbers) and it is clear that this band are just a little bit special. Bass man Marco Mendoza, pouts and shakes his way through, Damon Johnson (who along with Warwick wrote much of the “…Loose” album) plays his solos with a massive grin and Gorham remains the epitome of California rock cool.

It is Warwick, though, that really shines. Throughout his career, whether with The Almighty or in his other guise has a singer/songwriter he has always has the ability to write phenomenal songs. Here, though, he has written a collection that would have made for a fantastic Lizzy record, but also which are completely consistent with Warwick’s output too. This really looks like the role he was born to fulfill.

The last four songs of the main set, we will wager right now, will not be beaten anywhere this year. Three Lizzy classics “Emerald,” “Cowboy Song” and “The Boys Are Back In Town” are mixed with “Bound For Glory” and  you can almost hear Lynott singing its first two lines “Johnny Wong keeps trying to get it right/ way down in suckerville tonight.”

It’s back for an encore of “Hoodoo Voodoo” and the aforementioned “Rosalie” to bring the gig to a close. There is then a raffle with Warwick drawing tickets out (RTM doesn’t win….) before a happy band stroll around mingling with fans. They have every right to be chuffed. They have probably just played the gig of the year.

The rest of what Warwick said during “Rosalie” – after Gorham picked his jaw off the floor - was this: “All we want to do is entertain you guys. Don’t bother looking for an agenda, as you won’t find one."  This truly is a band who is doing what they want to and doing it because they can.


And, like the t-shirt they are selling in the foyer says: “I was there.”

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