GALLOWS, Feed The Rhino, Brotherhood of the Lake @Academy 2, Birmingham 17/10/12

RTM finds itself watching Plymouth’s Brotherhood of the Lake with its brother, who takes one look at them and says: “I don’t trust bands that wear hoodies onstage.” Rather odd prejudices aside, BotL are reminiscent of a less aggressive Dripback. But where the Londoners appear to be ready to smash your face in if you so much as looked like spilling their pint, the West Country mob seem ready to give you only a mild rebuke if you knocked theirs all over their new jeans. More aggression – and longer songs – needed if they are to pull this sort of music off.

Aggression is not something that Medway’s Feed The Rhino are short of. In fact, faced with a somewhat lethargic crowd response to their first few songs, vocalist Lee Tobin knows what he must do, namely remove himself from the stage and get in Brummie faces. Supporting just about every hardcore band they can find has long been a strategy FTR are doing their best to drag audience by audience with them, kicking and screaming if they have to.

That most recent album “The Burning Sons” is an improvement on the promise of the previous “Mr Red Eye” is clear and with songs as brutal as “Left For Ruins” in their arsenal, Rhino’s time can still arrive.

You can’t accuse of Gallows of not setting the bar high for this, their comeback tour. The Birmingham show is the penultimate of a mammoth 14-date trek, as a way to introduce your singer, you really cannot say fairer than that.

Of course, it helps if your new singer is pretty used to such matters and certainly Wade MacNeil, once of the rather marvelous Alexisonfire, doesn’t seem too perturbed at replacing Frank Carter after the latter made his shock exit last year.

It also helps if your new album is as good as Gallows self-titled comeback record was and is, and after things kick off with “Misery” from previous album “Grey Britain” its straight in with three from the new CD, including an aggressive “Everyone Loves You (When You’re Dead) and the lead single “Last June.”

The rest of the hour-long set is fairly even split between the three full-length releases, with MacNeil’s fake cockney sneer working a treat. The encore of “Victim Culture” and two old songs in “Abandon Ship” and “Orchestra Of Wolves” ends slightly chaotically with the frontman going crowd surfing and getting lost in the bodies, but this is, after all, essentially a punk gig, albeit one by a band who you suspect has a hardcore metal heart.

This is a comeback that doesn’t bother with baby steps and easing itself in gently, but rather runs straight for you grab you by the throat. And this version of Gallows is only just getting started.

TURBOWOLF, Black Moth, Cytota @Birmingham Institute Library, 14/10/12

The last time RTM saw Cytota, buried deep on the Rise To Remain bill in the spring, we predicted big things for them. That remains the case after our second viewing of the band. In fact, they have come on leaps and bounds in terms of confidence and stage presence. “Between Jokers And Jesters” is heavier than they have been before, while “Scars” puts us in mind of Exit Ten. The suspicion remains that, despite a somewhat lacklusture crowd response here tonight, Cytota might be ones to watch.

As are main support on this tour, Black Moth. They too suffer from a poor response from the crowd, but while it might be forgivable that this predominately stoner based audience might not have been totally into Cytota, it is less clear why Moth didn’t create a buzz.

Singer Harriet Bevan, explains that she is delighted to be here as Birmingham is the home of some of her heroes. You would guess she just meant Black Sabbath, as pretty much immediately we are transported to the 1970s in the back of some heavy and dense riffing. Debut single. “The Articulate Dead” is typical of their sound and we can expect to see a lot more of them when the magazines pick up on them.

Of all the things RTM expected to see when we turned up to watch Bristol hippie-types Turbowolf was a moshpit, but it was time to leave preconceptions at the door as the four piece are a much different proposition live than you might expect.

In fact, while the inflatable sphinx backdrop is a bit naff, it is the only thing about the 50 stunning minutes that Turbowolf give us that is. Their self-titled debut album has bothered our iPod for a while, it says much, therefore that live they manage to take things up a few notches.

Monstrously heavy, there beats a real metal heart to songs “Seven Severed Heads” and “A Rose For The Crows,” in fact the speed of a number of the songs is picked up from the album versions.

Of course, there is nothing straightforward about this particular band of 70s enthusiasts, as their choice of covers show. Lightning Bolt’s “Captain Caveman” takes on almost thrash overtones in their hands, and Jefferson Starship’s “Somebody to Love” has never sounded quite like this before.

But it is their own compositions that really showcase the bands formidable talents. “Read And Write” is perhaps the catchiest weapon in their arsenal, with its massive chorus and stabs of synth from frontman Chris Georgiadis, but new song “12 Houses,” from an album due next year, runs it close.

It is said that critics struggle with the band as their influences are too diverse. However, one thing appears to be clear. By the time that “Let’s Die” brings things to a close, mere pigeonholing is not required.

How about this instead: Turbowolf are just brilliant.

TERRORVISION, Trucker Diablo @Slade Rooms, Wolverhampton 11/10/12

Trucker Diablo might be from Northern Ireland but their hearts, you suspect, are in America.

Songs like “Voodoo” and set closer “When’s It Gonna Rain” are the sort of rock n roll that would make the Georgia Satellites proud. That they follow their cover of CCR’s “Proud Mary” with a song called “Drink Beer, Destroy” tells you all you need to know about them. This is southern fried music to have fun with – and they do it very well.

When a 20 year old RTM passed its driving test in March 1996 the first place we drove on our own was to the much missed Easy Listening in Shirley, Solihull to buy the “Perseverance” single. We were there a few years later when the bouncing of the crowd broke the floor a JB’s, and at the Civic Hall when Terrorvision sold it out at the height of “Tequila’s” fame and there again they came back a few years ago to put a big smile on the face of British Rock.

The reason for telling you all of this humdrum stuff is that Terrorvision want us to reminisce this evening. This, you see, is their 20^th anniversary. T-shirts are at 1992 prices and the set is going to be a career spanning one.

Interestingly, amongst the old lags with similar memories of the band to us, there are a lot of kids in the audience. People who weren’t born when Bradford’s finest unleashed their debut album.

The Slade Rooms had served up a blistering heat for proceedings and not long into opening number “Discothèque Wreck” sweat is dripping off frontman Tony Wright. Happily, neither the temperature nor the mists of time have done little to dent Wright’s enthusiasm, or indeed his cheeky-chappy persona and with a set list that is a veritable jukebox of Terrorvision’s career, this was an evening that was never going to fail.

“Middleman”, “My House” Alice What’s The Matter?” are all here, so are “Didn’t Bleed Red” and “American TV” and just about every song you could have wanted to hear from the band.

Of course, for a band that was popular at the zeitgeist of Cool Britannia, most of the songs here were written in the 1990s, but there is a smattering from last years excellent comeback record “Super Deluxe,” and indeed “Babylon” and “All The Girls Wanna Dance” wouldn’t have sounded out of place on “How To Make Friends And Influence People.”

After a main set that closes with “Pretend Best Friend” the band are back with “D’Ya Wanna Go Faster,” “Celebrity Hit List” and of course, the aforementioned “Perseverance,” surely the only song in history to have “whales and dolphins, whales and dolphins, yeah” as its key line.

It is easy to be cynical about reunions and anniversary tours, bands touring with just one original member and so forth, but not here. First three quarters of the original line up are on stage and even more than that tonight was a fabulous evening, full of great fun and great songs – and that is what Terrorvision have been doing for 20 years.

SLASH, Ginger @NIA 9/10/12

Watching Ginger on stage at the NIA you are forced to wonder if he regrets some of the choices he made earlier in his career that mean he isn’t headlining tonight himself.

When Mr Wildheart and his band kick off with “Sonic Shake” even the people that aren’t necessarily as familiar with his material can see that they are dealing with a pretty special talent.

His half hour set is mercifully short on material from the poppy mish-mash that was “555%”but high on the fantastic and – and vastly underrated – Silver Ginger 5 record. There is a smattering of Wildhearts songs too, and “Vanilla Radio” sounds as good as ever. Ending, as always, with “I Wanna Go Where The People Go” Ginger, live at least, has never sounded better.

At 8.30 precisely Slash arrives on stage. His band billed as Slash Featuring Myles Kennedy and The Conspirators, seem to have more respect for their audience than Axl and his mates who masquerade as Guns N Roses these days, which perhaps explains why so many people are in the arena tonight and why Slash remains thought of perhaps most fondly of all his former GnR bandmates.

Slash and his conspirators have just released the “Apocalyptic Love” record, which as clichéd as this is to say, really is the best thing that Slash has done since his Guns N Roses days. It is with a track from this “Halo” that they kick off their two-hour set tonight.

The second song in, however, sets the pattern. The unmistakable intro for “Nighttrain” begins and we are back to 1987 and “Appetite For Destruction” So it is that the rest of the evening unfolds. Slash is here to trawl through his career. So alongside a lot of Guns songs There are six tracks from “….Love” with RTM fave “No More Heroes” sounding fabulous and  some from the “Slash” record from a couple of years ago, where Mr Hudson collaborated with a series of guests – and my how the record could have done with the cohesion that Kennedy has given the group now he is installed as singer.

RTM isn’t a fan of Alter Bridge but Kennedy is a fine frontman, as, it seems is Todd Kearns when the bass player takes over for a few songs.

It says much for the eponymous hero of tonight that he is content to stand in the shadows and let his band take the spotlight, while he looks cool in a top hat, knocking out some of the most recognisable riffs in the history of heavy rock. In fact even in his solo spot, the only time he could have hogged the limelight, he fetches out a young Birmingham guitarist, Chris Buck, to join him.

From here it is a race to the finish, with “Sweet Child O’ Mine” and Velvet Revolver’s finest moment “Slither” being played. There is a change of pace in the encore, with VR’s power ballad “Fall To Pieces” being thrown in, before “Paradise City” closes things.

It was a fine couple of hours in the company of a man who was responsible for some of RTM’s favourite songs - and if questions remain about whether he should have played quite so many Guns N Roses songs, surely they can be answered thus: There are as many original members of Guns on stage tonight as if Axl was here, and furthermore, he’s Slash and can do whatever he damn well wants!

AXEWOUND, The Smoking Hearts @Slade Rooms, Wolverhampton 4/10/12

If we may we will begin at the end.

It is just before 10pm when the final strains of “Exochrist” signal the end of this gig. Axewound have been onstage for almost an hour by this point, and have gone down so well that they have had to play the song for a second time this evening – having casually knocked the song out third in the setlist around 40 minutes earlier.

“Exochrist” is typical of all their cuts – it could be a modern metal anthem. Their debut album “Vultures” has been out a grand total of four days but still their singer feels comfortable in giving the crowd a singalong as the guitarist starts up a killer riff. The 400 or so voices that greet him is just reward.

Ok, lets be honest Axewound aren’t your average new metal band. The aforementioned singer is Cancer Bats Liam Cornier, the guitarist is Matt Tuck from Brit arena botherers Bullet For My Valentine and the crowd has been drawn because of that. However if curiosity led the fans here, they will be back because the band is so damn good.

Axewound are completed second guitarist Mike Kingswood from Glamour Of The Kill, Jason Bould (ex Pitchshifter) on drums and former Rise To Remain bass player Joe Copcutt making them a rather modern metal supergroup, and frankly, they are seriously on form.

Beginning with the eponymous title track from “Vultures” the whole evening is the sort of sweat-drenched gig they protagonists probably dreamt of when thought this side project up.

However don’t let Cornier hear you call it a side-project. “We are here to have fun and play songs in a club,” he says. “Like real bands do – and we are a real band.” In fact his whole demeanor this evening is one of a man who is having the time of his life.

The group are the sum of its parts more than a mere Bullet For My Bats pastiche, although Tuck does take the lead vocals for their most Bullet-like song “Cold.” It is the last two songs that perhaps reveal the true ethos of Axewound. A cover of “Fucking Hostile” is followed by current single “Post Apocalyptic Party”, this really is just a bunch of metal fans having fun, and they are taking the rest of us along for the ride.

The opening act for this shindig were The Smoking Hearts, and they surprise us on a couple of counts, not least of which is the fact that given their name, we thought of some sort of 1980s glam metal homage. What we get was a sort of British take on Kvelertak, with the accent very much on punk’n’roll. “Sinking Ships” is a fine song and the Londoners are very much worth checking out.

Tonight, however, was all about Axewound and even allowing for a slightly unorthodox ending they absolutely slayed things tonight.

BETWEEN THE BURIED AND ME, Periphery, The Safety Fire @Slade Rooms, Wolverhampton 2/10/12

In more than two decades of gig going RTM has seen some odd things. Nothing ever like the sight that greeted us upon entry to the Slade Rooms tonight, though.

We walk through the door of the bar and can hear The Safety Fire have started their set already. However, when getting to the room where the gig is taking place it becomes clear that not all of them are there. In fact, lets be blunt about this, only Dez, one of their guitarists,  is onstage and he appears to be playing along to the record.

It turns out the bands van had broken down en route to Wolverhampton but the intrepid Dez had hitch-hiked up to play the show. Fair play to him.

The luck of the night doesn’t appear to be changing much when Periphery drummer Matt Halpern marches onto the stage with his arm in a sling. He injured himself, it transpires, just a couple of days before. However, with the frontier spirit raging tonight, the band have recruited Monuments sticksman Mike Maylan at 24 hours notice and he has learnt enough songs to enable the Washington DC men to play half an hour.

Here at RTM towers we have a lot of time for Periphery, a band who have had more of a kicking than many of the so-called “djent” (and what does that even mean?) movement. To us their sound is modern Progressive Metal and like we said when they supported Dream Theater in Feb, the band do it very well. “Have A Blast” from this year’s “This Time Its Personal” record, sits superbly with “Icarus Lives” from the debut and with lead guitar man Misha Mansoor looking every inch the guitar hero he is being cast as, these boys are no mere bandwagon jumpers.

Thankfully North Carolina’s Between The Buried And Me are all present and correct and they are as good as ever. Simply put, no one else does these sprawling epics like BTBAM. Prog, Metalcore, Thrash and Death metal all combine to make amongst the most interesting and challenging noise in metal today.

They begin with White Walls, with its almost Maiden-esque guitar sound, before launching into two songs from new album Parallex II – The Future Sequence. “Astral Bodies” in particular is superb.

Supremely talented musicians but never flashy, BTBAM leave us after an hour with Queen’s “Bohemian Rhapsody” playing over the tannoy. Assuming a fantastic evening was over some of the crowd drift off. Those of us that stay are treated to the sight of singer Tommy Giles Rodgers coming back on to give us his best Freddie Mercury mime, before the band plug in and join from the “So you think you can love me…” part.

Normal service is resumed though and before long they are locking into “Mordecai.” At its conclusion things really are all over, but it has a truly remarkable evening.

The word “unique” is bandied about rather too much in these days when nearly everything has been done before. That said, Between The Buried And Me have managed to create something that is totally unlike anything out there.

They must have been good – we even forgave them a Queen cover….

DRAGONFORCE, Alestorm, The Defiled, Cavorts @Wulfrun Hall, Wolverhampton 30/9/2012

Perhaps the best value – and most eclectic for that matter – metal bill of the autumn so far sees Barnsley’s Cavorts opening things up. Their sound is tough to quantify, sort of like a classic rock take on metalcore. According to the group themselves, they create loud, heavy noise rock – that seems to cover things. They have just put out their first EP and are very much worth checking out.

The Defiled are not new. For a few years they have been bothering British stages looking much like a kind of UK Black Veil Brides. In truth, though, they have very little in common with the terrible US make up wearing brigade. Tonight they here for a party, keyboard man The AvD enters the stage swigging from a bottle of Jager and they play a sort of modern brand of Nine Inch Nails with aplomb.

“Call To Arms” appropriately kicks things off, and they end as always with the massive chorus of “The Resurectionists.” In between they play a new song entitled “As I Drown” which shows that album number two promises more of the same. These boys are still destined for bigger things, you feel.

There really is no one quite like Scotland’s Alestorm. Their ethos is summed up thus by singer/keyboardist (ok one of those weird keyboards that looks like a guitar) Christopher Bowes: “Do you like Pirates? Do you like songs? Do you like songs about pirates?” Enough said.

The genre might be restrictive, but the boys are on album number three and are just about the most fun metal can be. Stick Steel Panther, their godawful pastiches, up your arse. Who needs them when you have Alestorm playing “Shipwrecked, “Keel-hauled” and “Captain Morgan’s Revenge”?

They might be dogged by technical issues which sees Bowes’ keyboard guitar thing give up, but he plays a toy axe that someone has in the crowd. It was that sort of evening.

And it was an evening that just needed Dragonforce to be on form. There were no disappointments.

If the set begins somewhat strangely with no intro tape, the lights go up to reveal new singer Marc Hudson (on his first proper UK tour with the band) adopting what Soundgarden might have called the “Jesus Christ Pose” with the spotlight on him – what better way to usher in the new and help us forget about the loss of ZP Theart?

Hudson is a fine singer and has grown into his frontman role with aplomb – he looks and sounds far more confident than when RTM saw the band play a warm up show in April. Appropriately the 70 minute set begins with “Holding On” the lead track from new album “The Power Within” before taking in songs from each one of the group’s five albums.

“…Within” songs “Die By The Sword,” “Heroes” and “Cry Thunder” are so good they sound they have been played for years, while the songs that have – like “Soldiers Of The Wasteland” – sound just as good as ever. Plus, if you can get past just how much like “Hotel California” “Through The Fire And The Flames” sounds that remains the band’s anthem.

Here is a band that has been through some rocky moments and come through in style. Producing tonight, one of the gigs of the year.