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With the onset of February we are getting a little busier. 2nd, Protest The Hero, 6th Del Amitri, 9th Molly Hatchet, 14th Monster Magnet, 15th Dream Theater, 19th, Sons Of Icarus, 20th Skyclad, 25th Soulfly, 26th Cadillac Three

And maybe a couple more to be added.
Showing posts with label White Wizzard. Show all posts
Showing posts with label White Wizzard. Show all posts

Monday, 21 October 2013

WHITE WIZZARD, Monument, Vandaliers @Slade Rooms, Wolverhampton 29/09/13

Local boys The Vandaliers are a new one on us at RTM, but as first impressions go it was a bit of a cracker. Dealing in the same type of music that latter day Orange Goblin knock out with consummate ease, there is absolutely nothing not to be enjoyed about their set. Songs like “Swamp Thing” and Sweet Temptation tick all the right boxes and, really are the sort of music is impossible to get wrong. The band are supporting RTM favourites Kadavar next month and are well worth getting their early for. Here is one bunch of vandals you are happy to see again and again.

On their Facebook page Monument list their first two influences as “Iron Maiden and Judas Priest.” There are other listed, but really they are superfluous as that is exactly what the band sound like. When last White Wizzard were in these parts, it was Monument singer Peter Ellis who was behind the mic stand. His act was the same then as it is now. Think Bruce Dickinson but even more posh. There is nothing remotely original about the band, but that doesn’t matter. This is metal to be played while you are in your studded leather jacket and to be enjoyed with a smile on your face. Nothing else.  The song titles betray their secrets. “Fatal Attack” “Crusaders” (which couldn’t be more Iron Maiden if it tried) and closing track “Rock The Night” are as big, dumb and fun as it gets.

If Monument were made to support any band, it is White Wizzard, the Americans plough almost exactly the same furrow. There are two things that have catrogorised the band since their formation. One is an almost constantly revolving door of band members and two is superb music.

The “Flying Tigers” album from a couple of years ago saw main man Jon Leon exploring his proggier side, while this years “The Devil’s Cut” (from where the majority of tonight’s set comes) is back to straight ahead balls to the wall metal. All of it is excellent, and Englishman Will Wallmer is exemplary on guitar. The hour they spend on stage is as enjoyable as it gets, and concludes with their first ever song “High Speed GTO.”

Nothing is simple, though, in the world of White Wizzard, and in the time since this gig took place the band have virtually disbanded again. Singer Joseph Michael was sacked about three days after this show (claiming he left after Jon Leon stole from him) and guitarist Wallner and drummer Giovanni Durst followed him out of the door. Faced with this turmoil (this is the sixth vocalist they have sacked) Earache records have finally had enough and dropped the band.

Where this leaves them is anyone’s guess, but if this is the end, then tonight at least provided a decent memory. What happened since is a shame, but taken as just a rock n roll show, this was a damn fine affair.

Saturday, 5 November 2011

ICED EARTH, White Wizzard, Fury UK @ Birmingham Academy 5/11/11

The early curfew for this show seems to have got on Iced Earth’s collective tits.

“I’m sure you are all going to the discothèque after us,” says new vocalist Stu Block. “Can you believe they are kicking us out for a disco?” He asks. “Pretty fuckin’ gay!” sneers main man and founder member Jon Schaffer.

What else did you expect from a band who is selling a t-shirt that says “Fuck Posers” and a poster that says,  “Don’t be a pussy” over a picture the aforementioned Schaffer angrily playing his axe?  Y’see tonight isn’t a night for club anthems. Tonight is a night for horns-up-fist-in-the-air-denim-and-leather-heavy metal.

First up are Fury UK. Most of the near sell-out crowd are in place to see them strut their stuff. RTM has a long history with this band, championing them long before RTM came into being. We have seen them many times since we first clapped eyes on them opening for Blaze Bayley at the Roadhouse; They are nice guys too, allowing one of our mates has bored singer/guitarist Chris Appleton with chat about football last year. But more than anything else they are a damn fine metal band – and they deserve to succeed.

Opening act on the entire Iced Earth European tour, this is another big chance for the Mancunian three piece, following on from their shows with Saxon earlier in the year. Essentially playing the same set as with Biff and the boys, their well honed opener “I See Red,” and “Alien Skies” from last years “A Way Of Life” opus sounding as good as ever, but as always it is “Death By Lightning” complete with jaw-dropping solo from Appleton that leaves you wondering just when the breakthrough will come.

White Wizzard have to follow that, and they do a manful job. A much different proposition than when they last hit these shores 12 months ago. Singer Wyatt Anderson is back behind the mic and they have a superb new record Flying Tigers in the bag. Perhaps as a result they seem much more confident with their sound.

“…Tigers” marks something of a progression for the Los Angeles troupe, with a much more progressive style added to the Trad Metal. Sure, it still sounds like early Maiden, but stand out song “Starchild” for example, is a massive leap forward from previous album “Over The Top”. Anderson bellows and screams, and band leader Jon Leon is formidable axeman. They end, as last year, with signature song “High Speed GTO,” but literally and metaphorically they aren’t the same band this time around.

Iced Earth too have undergone a change of frontman. Gone is the popular Matt Barlow, and in his place is former Into Eternity man Stu Block. If he’s nervous it doesn’t show as he attacks title track of new album “Dystopia” by way of a hello.

What follows is nothing short of a triumph. The band is evidently – and rightly – proud of “Dystopia” and showcases much of it, “Anthem” especially impressive. However it’s a career spanning 90 minutes, going right back to the first album for “When The Night Falls” and the second for “Angels Holocaust.”

“Declaration Day” is delivered with intent, but it is perhaps “Dante’s Inferno, “ that steals the show. An epic song in every sense, clocking in nearly 17 minutes, it allows not only Block to show his formidable range, but also Lead Guitarist Troy Steele, Bass Man Freddie Vidales and Drummer Troy Smedley  to join Schaffer in producing technical brilliance to back him up.

Ending as always with “Iced Earth” the band of the same name have delivered the goods in no small measure tonight. One of the shows of the year and yet its relegated effectively to a warm up act for a club night. Sometimes you have to despair at the world we live in, you really do.

The word magnificent would just about sum things up.