FU MANCHU, The Shrine @O2 Academy 2 Birmingham 17/9/12

Psychedelic Skate Rock is how Venice Beach, California’s The Shrine bill themselves. They are evidently pleased to come from Venice Beach, because they tell us where they come from three times during their 35 minute set, but whilst the location might evoke the twangy sound of the Byrds and so forth, they have a sound that owes a lot more to a band called Black Sabbath that was formed a little closer to our home.

In short The Shrine are exactly the sort of band you would want to support Fu Manchu. Heavy and fuzzy they are cranking out some fine stoner grooves. Vocalist/Lead guitar man Josh Landau is a cross between Slash and Franz Zappa, a mass of hair, but he can most certainly play. More than that we defy anyone who likes this type of metal to listen “Whistling’s Of Death” and title track of their debut album “Primitive Blast” and not find something very much to enjoy. Get into The Shrine, now, before everybody else does!

Following them would be a tough for most bands, but then most bands aren’t Fu Manchu. Lets be totally honest about this, with the possible exception of Monster Magnet, no one does this type of US Stoner metal better than Scott Hill and the boys – and that includes Kyuss for our money.

Their legacy is sufficient to see them be able to play to a reasonable crowd at a reasonable sized venue in the middle of a reasonable length tour of the UK. This rather sums FM up. Never quite bothering the mainstream but to those in the know they are very big deal indeed.

It is almost a shame that tonight Fu Manchu are playing an “album show.” They are here tonight to play their 1997 “The Action Is Go” record in full. A fine album, of course – The Fu’s just don’t do inferior stuff – but the format is just a little restrictive. Helmet did it earlier in the year, and the idea is very much in vogue, but it is not something that RTM is overly keen on.

But nonetheless, once “Evil Eye” starts up all that is forgotten and you are indulging in a desert rock masterclass. The title track is forcibly delivered with it’s “Like I said” refrain really hits home before the mid-paced “Burning Road” provides us some light and shade.

Saturn III is a sprawling epic, but Fu’s real quality is that no one quite marries up their twin guitar rffing – the duelling between Hill and Bob Balch is really spectacular – with their mastery of the chorus. And when that’s matched up with Scott Reeder’s drumming and Brad Davis’ bass, you are into something very special indeed.

Album over, the band are back for encore of “Mongoose,” perhaps their catchiest tune,  before ending with “King Of The Road.

Anyone who saw this knows it was excellent – just imagine how magnificent Fu Manchu would be if they weren’t ever so slightly hamstrung by their own setlist and could really cut loose.

 

MARILLION @ CIVIC HALL, WOLVERHAMPTON 13/9/12

“Some bands walk out on stage to apathy,” says Marillion frontman Steve Hogarth towards the end of his bands mammoth two-hour twenty minute set. “Some bands, if they are lucky, walk out to adulation,” he continues. “But us? We walk out to affection, and that is worth more than anything.”

And so the ethos of this gig – and indeed this band is summed up. Ok, Hogarth might be neglecting the standing ovation that greeted the band after the first five songs tonight, but you can see his point.

Marillion are at the point that very few bands get to. They simply have nothing to prove to anyone, and they are supremely confident in both their abilities and also in their audience. How else do you explain the fact they can cheerfully begin the gig with a 17-minute track that isn’t even out yet. And moreover, they sound brilliant in doing so.

That is exactly what happens as they play “Gaza” the epic opener from magnificent new album “Sounds That Can’t Be Made” before playing “Your Gone” and the companion pieces from “Marbles” “This Town,” “The Rakes Progress” and “100 Nights” all before the aforementioned reception.

They are, however, only just getting started. In total four new songs from the new album – including the title track - are aired, but they are for digesting later as there are plenty of familiar tracks to get stuck into. Like a stunning “Neverland,” a passionate “Real Tears For Sale” and a golden oldie in “The Great Escape.”

Perhaps Marillion’s real strength lies in how understated their power is. Guitar man Steve Rothery just calmly stands there driving the whole thing forward with his fine playing, which is complimented in great style by the rest of the band.

It is left the naturally extrovert Hogarth to provide the spectacle. He does not disappoint. A frontman in the classic mould, he is equally at home criticising US Presidential hopeful Mitt Romney (”the antichrist takes many forms,”) dedicating a song to a couple celebrating a wedding anniversary, playing many different instruments, singing and changing costumes. All of which he does tonight with aplomb.

There are two encores – the first sees a haunting and epic “A Few Words For The Dead” before they return again for a sing-a-long of “Sugar Mice.” On this form Marillion – who have long been perhaps the biggest cult band in the UK - are unstoppable and deserve both adulation and affection. This was, quite frankly, absolutely flawless.

I AM GIANT, Captain Horizon, Twisted Species, Third Angle Projection @Roadhouse Birmingham 12/9/12

When you are three-piece and your singer has blonde hair and you write songs that would – in 1993 – have had the word “grunge” attached to them, you probably are inviting comparisons to Nirvana.  It happens with the likes of Zico Chain and it is probably something that Third Angle Projection are going to have to deal with as they move forward in their careers. There is, though, enough potential in songs like current single “Useless” to think the band could rise above all that.

The bass player might be wearing a Pennywise t-shirt but everything about Telford’s Twisted Species is straight ahead hard rock rather than punk. Not that there is anything wrong with that, though, and there is nothing wrong with the four-piece. “Hold Me Down” and “Here I Stand” are straight out of the US-Radio play handbook. The band’s thinking is probably best shown in their choice of cover, Black Stone Cherry’s “White Trash Millionaire,” they only get to play 25 minutes but last track “Slip Away” is a highlight.

Captain Horizon, as RTM has said before, are pound for pound, perhaps the best unsigned band in Brum. Certainly live shows such as this seem to be getting better and better for the boys.

Best described, if you will, as a type of alt-rock Pink Floyd, they have taken to weaving giant songs full of hooks and choruses to tempt us all. Previous single “Angels and Vampires” was a giant leap forward and is played here along with “Here I Stand.” All of which bodes well for the release of their new album “The Lights Of Distorted Science” which is out in December.

Although based in London, three quarters of I Am Giant are from New Zealand, where by all accounts, they are more popular than the Rugby Union. Their album “The Horrifying Truth” has gone gold in their homeland and they are fresh from supporting Slash in Australia.

Now it seems they are ready for a crack at the UK, “….Truth” is coming out in October and this is the first night of a fairly extensive tour. There is a fairly sparse turnout in truth. But if IAG are upset they don’t show it – at least outwardly.

On record the sound perhaps a late 90s one – think Feeder circa “Polythene,” you know, before they went awful – but live things are taken up a notch, with opener “Purple Heart” setting the tone and being much heavier in the live arena. So much so they are almost Muse-like in approach.

Their 45 minute set sticks pretty steadfastly to the album for songs, but “Living The Crash” benefits from soaring vocals for Ed Martin (the only Englishman in  the band). Closing with the two tracks that made them household names down under “Neon Sunrise” and the number one track “City Limits” there is no encore – indeed drummer Shelton Wellright is dismantling his kit before the last chords are played.

I Am Giant make songs with bigger venues than this in mind. It will be interesting to see if they play them in the UK, but this was a promising start.

BASEMENTFEST DAY 2: Beholder, Under Blackend Skies, Left For Red, Valous @Roadhouse 26/8/12

Day two – notwithstanding the fact our mate the compare is still there (although pointedly not for the headliners) – always looked better than the opener. Whilst we are gutted to have missed Disarm Goliath who’s early slot means RTM can’t get there, there is still much to enjoy on paper.

Not least amongst the treats are Valous. A line up change has seen them bumped up the order and on the evidence of their thrilling half hour it is a very much-deserved promotion. They pedal similar meaty hooks to that of The Almighty in their heyday and with songs like “Locked Up Inside,” “Fools Dance” and newbie “Blisters” – apparently from a new album they are releasing - they are most definitely worth having a look at.

Another set of West Midlands metal stalwarts, Left For Red, are next. Evidently they are close to Valous – and there is a warm atmosphere amongst all the bands this evening – and they too operate in a distinctly British metal vein. They are unpretentious and fun, and with man mountain frontman LC providing a focal point they are always enjoyable. Alongside the tried and tested “Empty Shell” and “Shatter,” they too choose to unveil a new song and “Mercy Fight” sits very snugly indeed in their cannon.

Birmingham’s Under Blackened Skies have no problems following this, and the past few years on the circuit have turned them into a formidable live act. Easily the heaviest band on the bill this evening, they are almost Black Metal in their approach, and although “Faceless Devastation” remains their best song, there is always much to enjoy, including a fine “Sense of Reason.”

Back in March, at this very venue Under Blackened Skies were the main support to Beholder. Whether by accident or design, it has worked out that way again. Equally curiously Beholder played that UK tour to unveil some songs from a new album, entitled “The Black Flag” which was apparently to be released just after. As of yet the album still hasn’t seen light of day, which is a shame as it sounds like it could be a monster.

Whether they want just to tease us, or the album – a follow up to the stunning “The Awakening” - has suffered some setbacks is unclear. What is certain, however, is the “…Flag” songs are very heavy indeed. Frontman Simon Hall cuts an angry demeanor and that suits the mood of the new songs like “Toxic Nation” and the title track perfectly.

Like in March they mix the new stuff with plenty of songs from the debut, kicking off with “Heretic” and playing “Snake Eyes” before insisting on the weekends first circle pit during “Razorline.”

Hall launches into his usual impassioned speech about bands not needing record companies during “Here I Stand” before a truncated set is brought to a close with the best of the old in “The Awakening” before bringing in the new with “Footprints in the Sand.”

RTM’s impatience to hear the new album notwithstanding, the fact remains that Beholder are even better now than when RTM first clapped eyes on them at the Hellfire Fest at the NEC in 2009 – and they were pretty damn good then.

One of British metal’s best kept secrets, Beholder were absolutely the best band possible to close a celebration of underground metal.

BASEMENTFEST Day 1: Point Blank Fury, A Thousand Enemies, Salvation @Roadhouse Birmingham 25/8/12

RTM has never found itself at Basementfest before, but the chance to see a pretty decent line-up of unsigned metal is enough to tempt us from a Saturday night by the tele. Even if the Saturday night does contain the Gypsy Pistoleros as the headliners – but we have no intention of hanging around to watch them this time.

We also have little time for the compare for proceedings either. And if we may offer a word of advice to the organisers for next year it would be simple: The last thing a metal festival needs, or metal fans want, is a fella in a suit talking about the raffle and making crap jokes before the bands come on.

What we do want is new metal bands to have a look at. And thankfully Basementfest has these in abundance. Indeed part two of day one has a band who are playing their very first gig. Despite their inexperience Salvation are actually pretty good and showed great potential. Sort of a retro groove metal band – think Pantera covering a Rival Sons song – they race through 25 minutes of their stuff. “Pray For Me” is a highlight, but they are worth keeping an eye on.

A Thousand Enemies have been going for a little longer than that and the Nottinghamshire mob are beginning to make some waves for themselves. RTM saw them support the execrable The Morning After earlier in the year and by all accounts they were their usual selves during a storming set in the New Blood tent at Bloodstock the other week. Even the loss of their usual drummer tonight can’t dampen their ebullient frontman Bane, who has evidently got himself as annoyed with the “comedian” as RTM: “Where’s him in the suit,” he says, as the band are ready to start. “Come on pal, aren’t you ready to talk shite before we play. “ There followed some rather painful banter before ATE get down to business. And what business it is. Enemies attack their set with gusto. Ok we have seen it before, even down to Bane making his joke about them playing a song called “Fucking Ages” (It is actually called “Forever And Day”) but by closing number “Valve” even the people who have never heard them previously must surely have been won over.  Bane then wins extra points for telling the compare to “fuck off” to rapturous cheers.

So to Point Blank Fury. As far as RTM is concerned the Fury boys are the headline act tonight – possessing considerably more talent and songs than the aforementioned band of Gypsies. The last time we saw them, back in June, they were breaking in a new bass man following the defection of their old one to Absolva, Chris Appleton’s post Fury UK venture, tonight they sound even better than they did that night. 

Essentially they play the same set as they have been since reforming, and you know the drill, “Ashes,” “Change Tomorrow” “Love Ain’t Always Easy” and more. This is their last gig of the year, according to Dale Jones, the guitarist, who promises they will return with a new album in 2013. They have already reclaimed their crown as the Midlands most promising band this year, so you hope he’s as good as his word.

So they last song they play of 2012 is signature tune “Night Skies” which sounds as superb as ever, before bidding us farewell.

And with that its time for RTM to disappear too, partly because the compare is back. With raffle tickets. And also the Gypsy Pistoleros are setting up behind him.

BLOODSTOCK DAY 3 12/8/12 @Catton Hall

Given the indignity of a ridiculously early start time you could perhaps forgive Corrosion Of Conformity for being a little bit cheesed off and going through the motions a bit. Not a bit of it! Instead, the now three-piece deliver a set of rare intensity and riffing.  Without former member Pepper Keenan, COC don’t play anything from their mid-period, instead opting for a large number of new songs from their new album – “Psychic Vampire” sounding particularly special - and a smattering of songs from their first couple of records. They delivered a quite outstanding 40 minutes.

Not being death metal aficionados RTM takes its leave during Nile, ancient Egyptian themed brutality, opting instead for the New Blood Tent. Hakin’s frontman Brian sports a Fred Durst style red cap but there the similarities end. The Welsh band are billed as being, like Nile, from the death end of things, but to RTM it sounds like they have as much to do with Conan-esque doom as anything else.

Dreamcatcher are a much different proposition. The six piece fuse prog and melodic metal and come up with something not to dissimilar from the likes of Neonfly. They only manage a short set, but it is a thrilling one, closer “Take Hold” and “Never Look Back” particularly enthralling.

Its tough to do thrash metal well these days, even tougher when ridiculous scheduling sees the end of a young thrash bands set clash with the start of Evile’s on the main stage, but Reign Of Fury take it in their strides “we’ll race through it” jokes front man Bison Steed. They have no need, because, although they don’t, as yet have a new take on things, they are a band to look out for. “Envy The Dead” has a confidence and the twin guitar work on “Born To Die” was stunning.

Which brings us to the aforementioned Evile. Now relatively experienced campaigners, the Huddersfield band have overcome adversity to be a tremendous propostion. No British group has come up with thrash songs as good as “Cult” and “The Thrasher” in years, and they even find time to give “Centurion” its live debut during in a set that not even the rain can spoil.

Not content with two thrash bands in a row, it’s off to the Sophie Tent for the hat-trick and Slovenia’s Nocteferia emerge as the day’s surprise packets. “Slave To None,” “Democracy” and “Murder” are all, quite frankly, brilliant and the band can look back on their first trip to the UK with immense pride.

Over on the main stage, we catch the end of Anvil, and as always the suspicion with the Canadian triers is that they have never quite made it not through any bad luck, but actually because they aren’t all that good. “Metal on Metal” sounds excellent, of course, but you have to wade through a lot of mediocre stuff to get there.

Of all the bands that you would expect to make the sun come out, Paradise Lost are fairly low down on that list. But nonetheless, that’s the rather incongruous sight that greets them. Frontman Nick Holmes is a little disgruntled at this and dispatches a roadie to get sunglasses. Holmes is also barefoot, although this, he informs us is because the stage is slippy and not because he “wants to look like that c**t from the Black Crowes.” PL then set about showing just why they are the best band of their type out there. Just like their headline tour in April PL play a lot of the stunning “Tragic Idol” opus, which they mix with oldies like “Forever Failure” and “As I Die” before they finish up with a magnificent “Say Just Words” which induces much fist-in-the-air action.

French metal is often neglected, but Headcharger are looking to follow Gojira into our thoughts. Their sound is more Pantera based groove metal than their compatriots and in truth there is nothing especially memorable to their set in the Sophie Tent, although “The End Starts Here” – title track to their new album – is a diversion and they have a decent stab at “Communication Breakdown.”

Dimmu Borgir in the light is an odd thing! On their tour last year they were bathed in dark light throughout, now clad in leather and corpse paint they look entirely different. Thankfully they sound just as good though, and put on a sublime performance. “Ritualist” remains perhaps black metal’s most accessible moment, and “Mourning Palace” is grandiosely brilliant, over the course of an hour they show exactly why they are modern black metals finest band. Although the ever modest frontman Shagrath sees it differently, “I suppose you are all ready for Alice Cooper now,” he says.

And so it is 50 minutes later that the original shock-rocker brings his circus to Derbyshire. He does so with a show that is an exact replica of that which he played last October, which while nowhere near as good as the previous Theatre of Death trek in 09 is still a superb gig. The first part sees Alice racing through some classics and “I’m Eighteen,” “No More Mr Nice Guy” and “Hey Stoopid” are exactly that, before things lose a touch of momentum with a succession of solos and newbie “Ill Bite Your Face Off.” He’s soon back playing “Poison” and “Cold Ethyl” as well as creating monsters and getting killed. Of course it ends with “Schools Out” and a giant party, which really is all you need from Mr. Furnier.

This was three days to celebrate the magnificence and diversity of Heavy Metal, and as events go it was perhaps the best of the 2012, and with Anthrax already slated for 2013, who knows, next year may be better still.

BLOODSTOCK DAY 2 11/8/12 @Catton Hall

RTM didn’t have any idea what cinematic metal was, but on the grounds that Benediction were on the main stage at the same time, we thought we would go and check out purveyors of the genre, Splintered Soul, in their early slot on the Sophie stage. On doing so we found that the Dartford band were a type of epic power combo, with a female singer and a violinist, but who still managed to be engagingly metal.

Next up were Savage Messiah who we know all about. Frustratingly they are served up the festival’s first poor sound, which rather takes away from what should have been a superb half an hour. Happily things get fixed before “Insurrection Rising” closes things, and you hope their time will come.

Poor sound is not something Londoner’s Dripback need to worry about. Producer Russ Russell is on the sound desk for their set and they get to showcase their peculiarly British brand of groove, death and thrash metal without concern. They are a brutal option, but show much better than they did when supporting Biohazard a few months ago.

Croatia’s Infernal Tenebra are on their first visit to the UK and clearly enjoying themselves, they have songs called “Bloodstained Chaos” and “Art Of Survival” and not the slightest hint of originality, a fact they acknowledge themselves by covering Kreator by the end of proceedings, but they were certainly entertaining.

Which is more than can be said for female fronted Rising Dream. Pretty good on record, they lose momentum when the drummer loses his pedal and never get it back.

Perhaps the least metal band on in the tent today, Brighton hard rock heroes Furyon kick off with “Disappear Again” which is not only the best song they have by miles, but also perhaps the best song of the day so far. The band have plugging their “Gravitas” album for a couple of years so it is relief that they air some new material in their set – and even better when the song, called “Nothing On Me” is a belter.

From here it is back to the main stage to see the reformed Sanctuary’s NWOBHM influenced set. They aren’t bad by any means and new song “The Mirror In Black” is an endearingly retro affair, but it is hard to see what all the fuss is about, and by the time their best known song “Battle Angels” is aired a lot of the buzz has gone.

Perhaps the crowd was instead waiting for Hatebreed to play their only UK show of 2012. If they were no-one was disappointed, as Jamey Jasta’s men delivered on a massive scale. The biggest circle pit of the weekend is soon greeting them “Born To Bleed” and “As Diehard As They Come” are hardcore/thrash masterpieces and it is such a stunning set that it will tough to follow.

Unless, of course, the band following are Testament. Perhaps the fifth of the big four thrash bands, if you will, the Bay Area veterans walk off not only with the honour of being band of the day, but perhaps of the entire weekend. Kicking off with “Rise Up” (one of four tracks they play from stunning new album, “Dark Roots Of The Earth” ) they show their skills in a frankly incredible way. Frontman Chuck Billy, air guitars his mic stand throughout a set that included classics like “Into The Pit,” “Practice What You Preach” as well as newer numbers like “More Than Meets The Eye.” Simply stunning – they made us miss Orange Goblin and we still didn’t care, they were that good.

Tonight, is according to Robb Flynn, the 20^th anniversary of Machine Head’s first gig. To celebrate this fact they are playing their only British date of the year in front of 12,000 of their closest friends. And playing five songs from debut album “Burn My Eyes” in the process. Lets be fair, at this point in their careers MH could do this type of thing standing on their heads, and they would have to mess up massively to make “A Thousand Lies,” “Death Church” and “Halo” sound bad. For RTM’s money, the songs from most recent record “Unto The Locust” don’t match up, but lets not quibble, as always things ended by letting “freedom ring with a shotgun blast,” and it was hard not to enjoy.